Showing posts with label Brothers Grimm. Show all posts
Showing posts with label Brothers Grimm. Show all posts

Tuesday, April 17, 2018

SNOW-WHITE AND ROSE-RED—OR HOW TO BECOME THE REAL PERSON THAT YOU ARE


Fairy tales are rarely about fairies and generally have an inner meaning. I have looked at several famous fairy tales in the past including Snow White and the Seven Dwarfs by the Brothers Grimm. Here’s another fairy tale—from Germany—involving a character called Snow White: ‘Snow-White and Rose-Red’.

The tale goes something like this. A poor widow lives in a small cottage by the woods with her two young children, Snow-White and Rose-Red, whom she adores. There is a garden in front of the cottage in which there are two rose bushes. One of the roses bears white roses, and the other red roses. The symbolism of that is revealing. The rose represents the individual's unfolding consciousness although, depending on the context, it has a myriad assortment of additional meanings associated with it, such as purity, passion, heavenly perfection, virginity, fertility, suffering and sacrifice, death and life. 

In the context of this fairy tale, the white and red roses represent the thinking and feeling aspects of our consciousness respectively. Now, the two young children, who play together and love each other dearly, are just like the above mentioned roses. Rose-Red is outspoken and cheerful and loves to play outside whereas her sister Snow-White is quiet and shy and prefers doing housework and reading. The two girls love to go out into the forest where they like to sleep. On one occasion, whilst sleeping unknowingly on the edge of a precipice, they are awakened by a figure in shining white apparel (apparently, a ‘guardian angel’, variously a symbol of power, guardianship, inner guidance and personal transformation).

One winter night, there is a knock at the door. Rose-Red opens the door to find a bear. At first, she is terrified, but the bear tells her not to be afraid. ‘I'm half frozen and I merely want to warm up a little at your place,’ he says. They let the bear in, and he lies down in front of the fire. The girls beat the snow off the bear, and they quickly become quite friendly with him. They play with the bear and roll him around playfully. They let the bear spend the night in front of the fire. In the morning the bear leaves, trotting out into the woods. The bear comes back every night for the rest of that winter and the family grows used to him.

When summer comes, the bear tells the family that he must go away for a while to guard his treasure from a wicked dwarf. On parting, the bear catches his fur on the door-hook, and it seems to Snow-White that she sees gold glittering underneath.

During the summer, when the girls are walking through the forest, they find a dwarf whose beard is stuck in a tree. The girls rescue him by cutting his beard free, but the dwarf is ungrateful and yells at them for cutting his beautiful beard. He seizes a bag of gold which lies behind him and hurries off angrily. The girls encounter the dwarf several times that summer, each time rescuing him from some peril each time, but the dwarf is always ungrateful. On the second occasion the dwarf runs off with a bag of pearls. On another occasion he hurries off with a bag of precious stones. Then, one day, they meet the dwarf once again and he is seen counting his treasures. This time, the bear rushes out of the forest and strikes the dwarf dead.

Instantly, the bear’s skin falls from him, revealing a handsome prince. You see, the dwarf had put a spell on the prince by stealing his precious stones and turning him into a bear, but the curse is broken with the death of the dwarf. Snow-White marries the prince, and Rose-Red marries his brother. And yes, as in all fairy tales, they all live happily ever after.

Have you ever noticed how many fairy tales involve a widow? A widow represents those who are cut off, so to speak, from their true being as a person among persons. They are people who have lost connection with their inner potentiality. In this tale, however, there is still some contact with the elemental world represented by the garden and the rose bushes.

Snow-White and Rose-Red represent two different aspects or sides of human experience. Snow-White (cf the white roses), who likes to stay indoors, represents the thinking part of us that is introspective, introverted contemplative and meditative. Rose-Red (cf the red roses), who likes being outdoors, symbolises the perceiving, more extroverted part of us that is more interested in the outer world of sense impressions. The fact that the two girls play together and love each other is highly symbolic. It means, among other things, that these two sides of our nature are equally important. Both are needed and belong together. In other words, they are complementary. Never forget that.


The bear is an out-picturing of us—body, mind and soul. There is the outer, physical part of us and the inner mental and spiritual ‘parts’ of us. The dwarf represents negative, evil forces, both within and outside of ourselves, that make for separation, division and strife. These forces or tendencies within us must be overcome if we are to grow into the persons we are capable of being and which, in truth, we really are. The gold, pearls, and precious stones referred to in the tale represent spiritual riches and wisdom—the non-physical things ‘not made with human handseternal in the heavens’ (cf 2 Cor 5:1). The dwarf is seen seizing, appropriating and running of with these gifts, not realizing that they are not yet his by right of consciousness. There are things that we must give up in order for these gifts to be rightfully ours. That is an important lesson we all must learn. Our false selves (the little ‘I’s’ and ‘me’s’), in the form of our various likes, dislikes, views, opinions, biases and prejudices, seek to appropriate these treasures even though they are not yet ours by right of consciousness.

Now, the bear is not what it appears to be. Inside of it is a prince, that is, a higher self—our true self. Here’s a famous Zen story on the point. A distraught man approaches a Zen master and says, ‘Please, Master, I feel lost, desperate. I don't know who I am. Please, show me my true self!’ The master just looks away without responding. The man begins to plead and beg, but still the master gives no reply. Finally giving up in frustration, the man turns to leave. At that moment the master calls out to him by name. ‘Yes!’ the man says as he turns around toward the master. ‘There it is!’ exclaims the master.

Our true self is the person that each one of us is. However, when we see and experience ourselves we do not ordinarily see and experience the person that in truth each one of us is. Instead, we tend to see and experience any one or more of a number of self-images (those ‘I’s’ and ‘me’s’ held in our mind). At one point in time we may see and experience the ‘little me’, or the ‘frightened me’, or the ‘inferior me’. At another point in time we may see and experience the ‘confident me’. 

These ‘I’s’ and ‘me’s’ are nothing more than self-images in our mind. They are images felt and experienced as real, that is, as the real person that we think we are. Jointly and severally, these ‘I’s’ and ‘me’s’ constitute in varying degrees our sense of who we think we are, and whichever image is most dominant in your mind at any point in time will constitute your sense of ‘me’—that is, what to you, in you, is you—at least at that particular point in time. There is a feeling component to these mental self-images, with the result that many of the images can be quite strong and persistent over time and their persistency over time only reinforces the mistaken belief that these images are really us. This also makes change seem very difficult indeed. However, none—I repeat none—of these felt self-images are real. They are not the real person that in truth you are.

Fulton J Sheen wrote, ‘Death to the lower self is the condition of resurrection to the higher self.’ That is what this fairy tale is all about. We must die to our false selves so that we might become the real person that we are. Some call that the ‘higher self’, but please don’t confuse that with those little, false selves of which I spoke. The ‘higher self’ is the real person that in truth you are. I am referring to a power and presence ‘not-oneself’. You see, we are much more than just those pesky false selves—all those waxing and waning ‘I’s’ and ‘me’s’—with which we tend to identify, in the mistaken belief that they constitute the ‘real me’.

Freedom from the bondage to self comes when we get real, that is, when we start to live from our true being as a person among persons. We come to know our higher or real self—symbolised in the fairy tale ‘Snow-White and Rose-Red’ by each of the marriages that take place—as a result of thinking (Snow-White), perceiving (Rose-Red), and overcoming the evil spirit of separateness (symbolised by the destruction of the dwarf by the bear).

When this happens, you become what the American psychologist Carl Rogers, pictured left, referred to as a ‘fully functioning person’. The mystics refer to this as coming to ‘know the Self as One’. Yes, we are one with all Life, even though few know or understand what that truly means.


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Friday, September 13, 2013

HANSEL AND GRETEL---OR THE STORY OF YOU AND ME

Fairy tales are a sub-genre of the artistic and literary genre known as ‘fantasy,’ the latter being a genre in which life---or at least some aspect of life---is depicted in an ‘unnatural’ (ugh) and highly imaginative manner. The problematic word ‘unnatural’ does not mean ‘unrealistic’ or ‘supernatural’ (whatever that means), but, in fantasies, imagination, wonder and fancy all play very important roles.

Now, most fairy tales are not about 'fairies' at all, although as Theosophist John Algeo has pointed out they are very much about faerie. The latter has two meanings: first, the land of fairies, and second, enchantment. The second meaning is more applicable.

Perhaps the most important thing about fairy tales, apart from the sheer enjoyment that comes from reading or listening to them, or watching them on film, is this---fairy tales are mythological in nature, and their inner or more esoteric meaning is cloaked in allegory, parable and symbolism. Nearly all fairy tales are encoded spiritual and moral lessons (‘road maps’) of great importance---just like the parables of Jesus in the New Testament---and they almost invariably incorporate more than a few fragments (‘gems’) of the Ancient Wisdom, with the spiritual ideas and themes being portrayed in a highly figurative and literary manner. On the surface, or exterior, they largely present as stories for children---Kinder und Hausmärchen (‘Children’s and Household Tales’), in the words of the Brothers Grimm---but their inner or ‘true’ significance is hidden (that is, ‘occult’).

If there is one theme or underlying message contained in the great religions of the world it is this---we come from God (the ‘Great I AM’), we belong to God, we are never truly separate from God, and we are all on our way back to God. Of course, not all the world’s religions use the word ‘God,’ or express this idea theistically, but that is largely immaterial. The idea is still there. Fairy tales graphically depict the Platonic/Neoplatonic---and theosophical---idea of involution and evolution of the soul, or, in the language of the great American mythographer Joseph Campbell, the 'hero's journey' of self-discovery through trial, tribulation and adversity. 

Now, most of you will be familiar with the fairy tale ‘Hansel and Gretel.’ The story goes like this. Near a forest a woodcutter lives with his wife and his two children, Hansel and Gretel. The children’s mother has died, the woodcutter’s wife being their stepmother. They are all very poor---indeed, they were starving, so the two children go out in search of food. Actually, it is the stepmother who suggests that they take the two children out into the forest and lose them. Hansel, the boy, overhears the plan, and collects pebbles, so that he can lay a trail to find his way back. He is successful in so doing. For the second ‘trip’ the two children take with them one slice of bread along, which they use to mark a path back to their home by leaving crumbs along the way, but the crumbs are eaten by the birds, with the result that the two children find themselves lost in the forest. After a while, they come upon a little house made of gingerbread---as a result of the assistance of a white bird who guides the children to the house. (Some wonderful symbolism, there!) Hansel breaks off a piece to eat.

Suddenly, the door flies open and an old woman (‘witch’) comes out and invites them in. She feeds them mountains of pancakes and fruit, and then tucks them into bed to sleep. (Note that word---‘sleep.’) What Hansel and Gretel don’t realise is the old woman is fattening them up so she can use them in her favourite dish---‘roasted child.’ Now the two children are prisoners---Hansel is put into a stable---and the old woman keeps feeding them. However, when she asks Hansel to put his finger through the bars of the stable to see how fat he is getting, Hansel holds out a piece of dry bone instead.

Finally, the children escape and push the old woman into the oven. The house dissolves into pearls and precious stones. (Again, wonderful symbolism, there.) The two children fill their pockets with jewels and food and use the trail of bread crumbs to find their way back home. They come to a great expanse of water---and a white duck carries them over it. (Again, wonderful symbolism, there.) Eventually, on the other side, they recognize their surroundings and return rich to their father’s house. Their father welcomes them home, and informs them that their stepmother has died in the meantime. (Wonderful! Note, some commentators suggest that the stepmother and the witch are at least metaphorically one-and-the-same person, because the stepmother dies when the children have killed the witch. Maybe.) They all live happily ever after.

Well, what a great story of involution and evolution! The woodcutter’s house is the spiritual or divine world or realm from which we all come, and to which we all ultimately return. The presence in the story of the stepmother----notice how in fairy tales these stepmothers are never nice---indicates, symbolically, that we have here a material existence into which the human soul (Gretel) and the human spirit (Hansel) have descended. (Note. In ancient symobology the ‘soul’ [that is, the mind including the spiritual or divine 'image' in the mind of our creation and perfectibility) is always female, and the human ‘spirit’ [or ‘life force’] in us is always masculine. That’s just the way it is.) We have the descent into a physical body, and later the ascent again to the spiritual or divine realm---the source from which we all come and to which we all eventually return. We see that so often in fairy tales as well as other secret or sacred literature. We have a white bird---a clear sign of divine guidance (cf the Holy Spirit). The gingerbread house looks so lovely, you want to eat it. The gingerbread house is like the land of Oz (cf The Wizard of Oz), that is, that strange, colourful, wonderful, yet also frightening, world in which we now find ourselves, but it is not the ‘real’ world. It is not our ‘true’ home.

Anyway, soul and spirit enter the physical body---the gingerbread house---but, like us, they experience it (that is, life on earth) as a veritable prison-house in which bad things can and do happen. (Isn’t that life?) Yes, we are in slavery, in bondage, and largely to our false selves which we mistakenly take to be the ‘real’ person each of us is. The old woman, or witch, symbolically represents all those negative, retarding forces that seek to overwhelm, indeed destroy, the human spirit (Hansel). Things like addictions, bad habits, obsessions, compulsions, and attachments and cravings of all kinds. Notice, too, the symbol of the dry bone, which represents all those negative forces that are blind to our true spirit. I think the dry bone especially symbolizes dry, intellectuality, that is forever incapable of discerning or knowing spiritual truths. I firmly espouse the use of reason in solving human problems, but there is something terribly sad and inadequate about dry reason and intellectuality without spiritual wisdom. The fire, and its lighting, symbolically represents some special event or impulse in which the soul awakens---and finds freedom. Spiritual riches---precious stones and jewels---are ours, but first we must cross the Great Water (that is, death). Soul and spirit are carried across the water, and on the far side there is---home.

The ‘message’ of Hansel and Gretel? Seek only what is truly real. See through illusion and delusion. Stay awake. Press on---no matter what happens to you. You will get ‘there’ in the end—no matter how far you stray from the ‘path.’


Note. For those who may be interested, here is a recent address of mine on fairy tales and their ‘inner’ meaning.



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