Showing posts with label Desi Arnaz. Show all posts
Showing posts with label Desi Arnaz. Show all posts

Monday, April 3, 2017

WHATEVER HAPPENED TO HUMILITY?


‘See, your king comes to you, righteous and victorious, lowly and
riding on a donkey, on a colt, the foal of a donkey.’ Zechariah 9:9.


These days everyone is a star—or so they think.

One of the negative things about social media is that every nonentity around can have their moment of glory—their 15 minutes (usually 15 seconds or less) of fame—many times a day. Here’s a photo of the meal I’m about to eat. Yummy. (Really? It looks disgusting.) This is the view from my kitchen. Magnificent, isn’t it? (Hmm. It's so-so.) Here’s my latest hat. (Does she really think that’s nice? It's awful!) Here’s a photo of me on the airplane, about to head off on my trip to London—first class, no less. Aren’t I doing well? Hashtag this, hashtag that. (Sure, you're a legend in your own lunchbox, as we Aussies like to say.) And, yes, I am also guilty of this.

One of my favourite Bible verses is this: ‘For those who exalt themselves will be humbled, and those who humble themselves will be exalted’ (Mt 23:12). That’s one of the Zen-like sayings of Jesus. The multi-talented musician, bandleader, singer, actor, producer, director, writer and university lecturer Desi Arnaz, pictured above, once said that it was his favourite Bible verse. The verse, he said, was ‘one of the greatest quotes from the Bible as applied to show business’.

In a few days time, namely, on Sunday, April 9, it will be Palm Sunday, a day on which Christians recall the triumphal entry of Jesus into the walled city of Jerusalem. The people laid down their cloaks and small branches of trees in front of him. The image of Jesus riding on a donkey is an object lesson in humility—and much, much more. The donkey may be an image of proverbial stubbornness but it is also one of peace as opposed to war, Jesus being the Prince of Peace (cf Is 9:6). The donkey is also an image of meekness, persistency and endurance. There is the intellect, the emotions and the will—plus the physical body. When all of four of those things are ‘tamed’ – the image of Jesus riding on the donkey – they become obedient to the spiritual impulse within, the ‘Christ in you, the hope of glory’ (Col 1:27).



There is more to life than so-called fame and worldly success. There is an exalted state of consciousness and inner spiritual richness that those who seek the things of this material world will never know—that is, unless and until they humble themselves. Let go of willfulness and personal exertion of the selfish and superficial kind.

Whether Christian or not, Easter is a time to reflect upon what is truly important in life.



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Saturday, August 6, 2011

LUCILLE BALL AND THE ART OF BEING MINDFULLY BRILLIANT

I have always held the view that Lucille Ball (pictured left), who was posthumously awarded the Presidential Medal of Freedom, America’s highest civilian honour, was the most talented and versatile actress (I refuse to say ‘actor’ in her case) – and certainly the greatest comedienne (ditto) – of all time.

Today, August 6, 2011, is the centenary of Miss Ball’s birth, and many activities will be taking place, mainly in the United States of America, to celebrate and commemorate, not just what would have been Lucy’s 100th birthday, but also the legacy the woman has left behind.

In Ball's home town of Jamestown, New York there will be a 'Lucille Ball Festival of Comedy.' America's Hallmark Channel is celebrating the centenary with a 48-hour marathon of I Love Lucy, focusing on the show's trips to Europe and Hollywood. TCM has decided to run a Ball marathon anchored by one of her 1930s films Stage Door. The Hollywood Museum has an extensive exhibit of 'Lucy-ana' that runs August 4-November 30, with Miss Ball's daughter Lucie Arnaz, I Love Lucy editor Dann Cahn and other notables on hand for the opening night. There's lots, lots more happening!

TV Guide said of Lucy in 1974, ‘Her face has been seen by more people, more times than the face of any other human being who ever lived.’ She has also been named by TV Guide as the 'Greatest TV Star of All Time.' I also recall Miss Ball’s first husband and I Love Lucy co-star and executive producer Desi Arnaz accepting a Photoplay ‘Gold Medal’ Award in 1977 for I love Lucy as the ‘Favourite All-time TV Series.’

There were many other awards, honours, accolades and citations ... including 'Queen of Comedy', 'Comedienne of the Century', 'First Lady of Comedy', and, of course, 'First Lady of Television.' Certainly no woman has ever been as successful in the entertainment world, and possibly the business world as well, as Lucille Ball.

I have, these past few days and weeks, read many online celebratory tributes to Miss Ball leading up to this day, the centenary of her birth. One of the 'best' I've read is this one from Marlo Thomas. She knew Miss Ball well, as did her parents and especially her father Danny Thomas, who delivered the eulogy at the Memorial Mass held for Desi Arnaz on December 4, 1986.

What 'made' Lucy so funny? That’s a silly question, because the moment you try to analyse comedy, it ‘dies’ on you. As another hero of mine, Groucho Marx, put it, ‘Analysing humour is like dissecting a frog. You can do it, but no one much enjoys it and the frog tends to die in the process.’

I cannot say what made Lucy so funny, and what I am now going to describe is not the reason why she was funny, but it does seem to be tied up with her funniness ... and her brilliant creativity.

The late film historian and critic Paul D Zimmerman once wrote in Newsweek that Miss Ball’s comedic acting had a ‘cartoon clarity’ about it. I like that. A ‘cartoon clarity’. That says it all. With traditional animation you have lots of quickly changing frames. Each frame is frozen in time and space, so to speak, but when a whole sequence of different frames – hundreds of them – is presented at just the right speed ... you have animation! Life!

Watch any rerun of I Love Lucy or any of Miss Ball’s later shows and you will see how resourceful and self-aware she truly was. Every move she made, her every facial expression, was an object-lesson in mindfulness. Awareness, attention to detail (without losing sight of the ‘big picture’), and a childlike curiosity and inquisitiveness were her ever-present stock-in-trade. I am reminded of some words of Stanislavski in An Actor’s Handbook:

In watching the acting of great artists ... their creative inspiration is always bound up with their concentration of attention ... The actor who has the trained habit can limit [their] attention within a circle of attention, [they] can concentrate on whatever enters that circle, and with only half an ear can listen to what transpires outside of it. ...


When Miss Ball acted, she threw her entire self into every aspect of her performance, giving total attention to whatever shtick she was being called upon to perform. She became one with the character she portrayed.

Let’s look at a clip (courtesy CBS and, as presented here, TCM) from the I Love Lucy episode 'Lucy Does a TV Commercial', which first aired in the United States of America on CBS-TV on May 5, 1952. You must be familiar with that episode ... it's the one where Lucy is hired to act as the 'Vitameatavegamin girl' in a TV commercial. The product - 'Vitameatavegamin' - contains, among other things, pure alcohol ... all 23 per cent of it. You can guess what happens. Watch ...




In October 2005 US fans voted this particular episode as their favourite during an I Love Lucy anniversary television special. TV Guide and Nick at Nite ranked it the 2nd greatest TV episode of all time after the Mary Tyler Moore Show episode 'Chuckles Bites the Dust'.

Watch Lucy’s face ... indeed, her whole body ... and listen to that voice. Yes, notice how cleverly Miss Ball varies her vocal elements (especially pitch, volume and speed) throughout the skit. Notice her mode of delivery, her gesticulation, eye contact with the camera, and how skilfully she makes use of pauses. I could go on, but I am now analysing her comedic art. Stop! It’s enough to say that everything Miss Ball says and does as Lucy Ricardo is said and done ... mindfully!

Even reading some of her lines, reproduced below (but, forgive me, not exactly as presented on film), is a study in the practical application of mindfulness:


LUCY. Hello friends, I'm your Vitameatavegamin Girl. Are you tired, rundown, listless? Do you poop out at parties? Are you unpopular? The answer to all your problems is in this little bottle ... Vitameatavegamin. Vitameatavegamin contains vitamins, meat, vegetables, and minerals. Yes, with Vitameatavegamin, you can spoon your way to health. All you do is take a tablespoon full after every meal ... [Lucy samples product.] It's so tasty too. Just like candy. ... So why don't you join the thousands of happy, peppy people and get a great big bottle of Vitameatavegamin tomorrow. That's Vita...Meata...Vegamin. ...

...   ...   ...

LUCY. [After a few samples of Vitameatavegmin.] Hello, friends, I'm your Vita-veeda-vigee-vat girl. Are you tired, rundown, listless? Well are you? Do you pop out at parties? Are you unpoopular? The answer to alllll your problems is in this li'l bottle: Vitameatavegamin. [Looks at bottle.] Vitameatavegamin contains vitamins, meat, megetables, and vinerals. Ah, with Vitameatavegamin you can spoon your way to health. All you have to do is take a big tablespoon full after every meal. [Lucy takes a swig from the bottle.] It’s so tasty too! Tastes just like candy! Honest!! Ha Ha Ha! So why don't you join the thousands of happy, peppy people and get a great big bottle of ... Vita-meedy-mega-mee-nee-minie-moe-a-min...


Miss Ball played her every role for real ... and more often than not with believability. Yes, in her later years there were a couple of flops, but for millions of people of my generation and many others – before and after mine – she will always be the irrepressible and ever-so-lovable Lucy.


Lucille Ball had flair and a superb sense of timing. She believed that life was worth living, and she overcame enormous obstacles to achieve both personal and professional success. She also gave of herself tirelessly to others. I cannot imagine what my life would have been like had I not become a Lucy addict. I know it would not have been as good ... or as happy. Yes, I love Lucy ... I love Lucy ... and millions do, too!

Happy Birthday, Miss Ball, wherever you are ... which is everywhere!


NOTE. For those who are interested, I have compiled a book entitled Who's Who in I Love Lucy. The book can be read online on SlideShare.



Google TV Homepage Lucille Ball 100th Birthday



Grateful Acknowledgments
Acknowledgments are made, and sincere gratitude is expressed, to the various rights
holders in respect of all copyright material and trademarks. All rights reserved.

I LOVE LUCY and related marks are trademarks of CBS Broadcasting Inc.
I Love Lucy is owned by CBS Paramount Television.
Video clips (courtesy CBS, TCM and Google) are for entertainment and nonprofit purposes only.

Images of Lucille Ball are licensed by Desilu, too, LLC. Licensing by Unforgettable Licensing.
“Lucy Does a TV Commercial” was written by Jess Oppenheimer, Madelyn Pugh and Bob Carroll Jr.




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Monday, February 14, 2011

MINDFULNESS ON THE ROAD ... WITH A BEAT

In a recent blog I wrote about the stream of consciousness style writing of James Joyce. This past weekend I have re-read, for the umpteenth time, On the Road by the immortal Jack Kerouac (pictured below - and listen here to him reading the last page of his book). How I love that book! It's, like, cool, man, dig?

I was just a bit too young to be part of the Beat Generation, which is probably good because I am sure that I would have ended up like many of the "leaders" of the Beat Generation. In that regard I am reminded of some beautifully hedonistic words of the pre-Beat “Rumba Rhythm King from Cuba” Desi Arnaz, recalling his early years in Miami, Florida, who in his autobiography A Book wrote, “I’ll never forget those gorgeous nights on the beach, with the moon over Miami. We ate and drank, sang and played, and screwed and screwed. It was fantastic.”

The term “Beat Generation” was apparently coined by Kerouac in a 1948 conversation with John Clellon Holmes. Holmes opined that Kerouac's stories "seemed to be describing a new sort of stance toward reality, behind which a new sort of consciousness lay."  He urged Kerouac to try to define it in a phrase or two. According to Holmes, Kerouac replied, "It's a kind of furtiveness ... Like we were a generation of furtives. You know, with an inner knowledge...a kind of beatness ... and a weariness with all the forms, all the conventions of the world... So I guess you might say we're a 'Beat Generation'.”

Kerouac was a master at writing what has beeen called "spontaneous prose" - and prose that reads like poetry ... with melody. His Joycean writing is proof that one's first thought is generally one's best. (Good advice when doing multiple choice tests.)

Beat is a state of mind ... a state of at-one-ment with the very beat or rhythm of life itself ... the very livingness of life ... and the givingness of life to itself. No wonder Kerouac linked the word "beat" with "Beatitude", that is, showing kindness, compassion, sympathy and empathy. Such qualities are inherent in the very beat of life itself and are perceptible, indeed palpable, through mindfulness. Dig it?


The lasting legacy of Kerouac's Beat Generation is the philosophical assertion, in the words of
Alan Watts, that “the significance of life [lies] in subjective experience rather than objective achievement”. (See Watts' oft-quoted illuminating article "Beat Zen, Square Zen, and Zen”. Watts was certainly no fan of Beat Zen, but he always makes for interesting reading.) 

"Subjective experience rather than objective achievement." I love those words. In this present world, where the prevailing "religion" of so many Westerners is consumerism combined with worldly success, I firmly believe that what we truly need is ... more beat!

If only Kerouac (who had been "on the road" for 7 years before he wrote the book in only 3 weeks) and his buddies had stayed grounded - "sympathetic" (i.e. "beat") - in the reality of the present moment and their Buddhism. Take these gems from On the Road:

I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was — I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. ...

They danced down the streets like dingledodies, and I shambled after as I’ve been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones that never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!” ...

So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars’ll be out, and don’t you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all the rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what’s going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty. ...

Unfortunately, too much of the moment involved activities which ultimately proved to be highly self-destructive. In time, the effusion of the moment dissipated but for a while it was wonderful ... or at least it seemed so:

We were all delighted, we all realized we were leaving confusion and nonsense behind and performing our one noble function of the time, move. ...

Why think about that when all the golden land's ahead of you and all kinds of unforeseen events wait lurking to surprise you and make you glad you're alive to see?

True mindfulness involves staying with whatever arises for as long as it lasts ... with the knowledge that all things pass. Notice what is passing through your mind with choiceless awareness … by getting up close.

So, dear beatniks, never tire of practising “awareness-ing”. Let your awareness take note of what’s going on ... in and outside of your mind ... and then, in the words of Jack Kerouac, "everything is going to the beat - It's the beat generation, it be-at, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown and like in ancient civilizations the slave boatmen rowing galleys to a beat and servants spinning pottery to a beat ... ."

I mean, like, cool, daddy-o.


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